This Drawbook represents one such artifact, now lost into the hands of people like you and me. No worries. The parties constructed to safeguard such power has long since disappeared into the annals now.Here are the tenets of the Drawbook needed to use it at its most minimum functions:1.) Write the name of the person, group of people, or body (while thinking of the one you mean) on the top of the page.2.) Draw either a circle, square, or triangle. Words will automatically fade in; they will all refer to some kind of concept, sentiment, or action/deed.3.) In this shape, whatever is written inside it, is something the person is willing to do -- something at which they do not "draw the line."3a. In order to filter results which only display things a person is willing to do in relation to a specific person/group, such as the drawer, write their name on the bottom of the page, and all results and effects will be exclusive to that relationship.4.) Depending on the shape, a different effect. She looked around the ornamental tree section. Bewildered by the endless varieties on offer, she was about to give up on the idea when she first saw him; standing between two rows of conifers was a man with golden hair tied in a ponytail, a man who could only be described as an Adonis. Lucy side-stepped and took cover behind an alpine spruce. She watched him through the branches of the dense foliage. He was about six feet tall, somewhere between twenty-five and thirty years old. With feet placed apart, he was stacking terracotta planters onto a trolley. Using his whole body, he lifted the containers with such grace and ease that each planter seemed to float through the air until it landed square onto the pallet. It was like watching a ballet. The scent of spruce filled her lungs as Lucy gazed at this creation of beauty, a warmth imbued her groin and she had to grip a branch to steady herself. The man straightened and looked across in her direction – he must have heard her. She was.
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